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零点书屋 > 都市小说 > 巨星从氪金开始 > 正文 第五章:后生可畏

正文 第五章:后生可畏(第1页/共2页)

曲罢,现场鸦雀无声。

直至主持人重新登台,舞台灯光重新调回白色,演播厅内众人才从刚刚李子安的表演中回过神来,随即议论迭起,声音也是越来越大。

见现场隐隐有失控的迹象,主持人连忙主持现场,先是夸赞了翻李子安的表演,然后便直接进入到了评委点评的环节,现场这才随之渐渐安静了下来。

“高老师,您请点评!”

主持人将话语权交给了高柏松老师,站在主持人身边的李子安,此时也终于看清四位导师的正脸了,说实话,以他两世为人的经历,却也是首次和明星离得这般近。

高柏松望着李子安,沉吟了几秒,颇为认真的询问道:“这首《青花瓷》是你的原创?”

“是!”

“词曲以及编曲皆是你独自创作的?”

“是!”

面对高柏松的发问,李子安不卑不亢接连回应,

“哦?”高柏松面色不变,继续询问道:“你这首歌写的可谓是极妙,以青花瓷为主体,来阐述一个跨越千年的爱情,象征着爱情的坚贞,但我国华夏器物广博,你为何要选择以青花瓷为载体呢?”

面对高柏松的发问,李子安心头一紧。

高柏松很显然并没有完全相信这首歌是他独自创作,如此询问,明显就是在考较他。

按照上一世网络小说的套路,不应该向来是主角唱完,下面甭管是身份高低,全都是各种马屁连绵不绝吗?

怎么到我这就变套路了呢?!

李子安表面不动声色,但却思绪如电,脑中无数和《青花瓷》有关的资料随之浮现。

“华夏最著名的器皿载体,晚辈觉得莫过于是殷商时期的青铜器皿和宋朝时期的汝窑瓷,在创作之处,晚辈曾经考虑过青铜器为歌曲载体。

以青铜的厚实来象征爱情的坚贞;以千年斑驳的铜锈来比喻世事的沧桑;以器皿上难解的铭文来阐述誓言的神秘。

但是后来晚辈觉得不妥,便将青铜器给否了。”

听着李子安的介绍,高柏松眼中的光彩渐渐明亮,对于李子安对青铜器的阐述颇为赞同,而当听到李子安说起不妥时,顿时脱口而出:“既有着诸多优势,又为何不妥?”

“晚辈在创作之初,是想要营造一种烟雨朦胧的江南山水,水云萌动之间依稀可见伊人白衣素袂裙带纷飞的意境,然而青铜器过于厚重笨拙,而且青铜器又隐隐带着些许硝烟的味道于其中,与意境不符,所以晚辈便没有选择青铜器。”李子安声音平缓的回应道。

“烟雨朦胧,江南美景,如此缥缈清幽的意境,与青铜器确实不符。”高柏松此时已经相信这首歌曲是李子安所创了,否则如果是剽窃他人作品,根本不可能对创作有着如此深厚的理解,高柏松博学多才,现在继续发问,已经完全是兴致所致:“那你最后又为何选择了汝窑瓷中青花瓷呢?”

李子安闻言,沉稳应道:“青花瓷素有天青色一种颜色,用来形容爱情的忠贞极为融洽,而青瓷极品,又有着洗尽铅华,古朴典雅,清新流畅等诸多特性,极为契合于江南烟雨之境,所以最后我将青花瓷定为主体!”

李子安和高柏松的一问一答,使现场很多人都听得似懂非懂,但却又不明觉厉,只觉得李子安如此年纪便能和素以博学著称的高柏松对答如流,这可不是一般人能做到的。

高柏松的眼睛越来越亮,随即再问道:“我听你刚刚的歌词中,有两句是‘帘外芭蕉惹骤雨门环惹铜绿,而我路过那江南小镇惹了你’,这两句歌词中的惹用的极妙,不知你是如何构思的呢?”

“这个惹字,晚辈是从六祖惠能那句著名的偈语‘菩提本无树,明镜亦非台;本来无一物,何处惹尘埃’中得到的体会!”李子安目光坦然,直视高柏松道:“芭蕉与门环为静态事物,而我与你则是动态,两者一静一动,但其被动性和主动性却是截然不同,两者上下映衬,相辅相成!”

“后生可畏,后生可畏啊!”听完李子安的讲述,高柏松接连送上了两声赞叹,只见其满面红光,笑道:“李子安,今日在舞台
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